Medium Format: Do You Need It?
If you’re like many photographers, you’re always looking for the perfect image. In addition to being aesthetically and compositionally flawless, you also crave perfect representation of color, texture, and the finest of details. You want your photos to show the fine textures, subtle hues, and crisp edges of your subject matter. You’re looking for the best possible image.
If you need this type of image, medium format is here to help. As you may know, medium format photography uses a film format that is significantly larger than the standard 35mm format that we all know and love. By using a larger film area, medium format cameras, such as the famous Hasselblad 500 series can capture significantly more information, and therefore a much sharper, more vibrant image. The large a slide or a negative is, the better image it will give, since the larger area allows for so much more photographic information.
Medium format gear is “professional” gear, meaning the quality is very high. Some of the best lenses ever made have been for medium format cameras. You’re not going to find much cheap, low quality consumer grade glass in the medium format world, though TLR cameras like the Yashica TLRs can be a little cheaper. The best lens makers in the world have made som awesome medium format lenses. Most of these lenses will create images of the highest quality possible.
All these factors add up to give you an amazing quality image that will blow away any 35mm image taken under similar conditions. If you look at a medium format slide (or negative) through a magnifier, you will be amazed at the level of detail you’ll be seeing. It’s hard to describe, but the difference is immediately visible and striking. This is not a small quality improvement that is visible to only an elite few, this is a radical change in the quality of your photos.
Indeed, it is this quality that leads many professionals to deal with the added cost, size, and weight of medium format gear. To be sure, its not the most convenient and affordable of formats. The larger negative requires a larger, more complex camera to deal with. A larger lens is required to focus enough light to expose the medium format film pane. These larger, more complex cameras and lenses are also significantly more expensive than 35mm cameras. Medium format cameras are not for the average photographer, but rather for the professional or amateur who demands only the best looking images possible, while still allowing for some flexibility and portability, which large format lacks.
So, should you go out and buy a medium format camera today? Given the nature of most medium format cameras, probably not. However, if you’re looking to greatly improve the quality of your images, and you’re not too daunted by the complexities and expense involved with a medium format camera, you should start shopping for one today, as nothing else will fulfill that desire as well as medium format camera can.
Travel Photography For Freelance Writers
Wanting to be a freelance writer means that sooner or later you will have to travel. The lucky ones get their expenses paid up-front, but most have to get their expenses reimbursed from the client.
As a freelance writer you will have to travel. Sometimes you will have all of your expenses paid for you, but most of the time you will have to pay for your own expenses and then get them reimbursed. Make sure that you have the deal in writing, you don’t want to go and spend your hard earned money, thinking that you will get it back and then find out that you are out of pocket for your photographs.
It isn’t too difficult to take clear, focused and colorful photographs, anyone can do this. The difficulty is taking photographs of pertinent subjects that relate to the articles you are writing, and then getting paid. Every magazine editor wants photos, but are they willing to pay for them.
Rule number 1 of freelance writing is “Get It In Writing” and get a signature. The days are gone when you could do a deal with a handshake and then be sure that it will be honored. You need to have the offer in writing, better still, in an email, detailing everything.
Location, subject, theme, time span and especially dollars, all this should be set out in writing before you go buying your own ticket for the travel. Sending off an email advising the editor of your fees and conditions won’t do the job, you have to get an email from the client agreeing to your conditions, or offering his own conditions.
You will need to know how many photos he is willing to pay for. What photos he wants, and what the subjects are to be. How much per photo are you going to get paid, and who holds the copyright.
You may be lucky enough to get a pic of something that may have historical significance. If you give away the copyright, you give away any potential future income from that photograph. So my advice is never give or sell the copyright of any photo you take.
When photographing your subject, be sure to take lots of snaps, this may seem to be a waste of time and effort, but believe me, when you get back home and you are choosing the pics that will embellish your article, the better your pic the more you will be paid.
Digital cameras are a wonderful invention, gone are the days of expensive film. Now you can take as many photos as time permits rather than as finances permit. Digital photos can be stored or discarded as you see fit.
Full Frame vs. Crop DSLRs: What You Need to Know
The topic of sensor size always comes up when shopping for a digital SLR. As you probably know, the sensor in a digital camera is responsible for capturing the image. Digital SLRs are able to get much better picture quality than point and shoots due to their much higher quality image sensors. In general, the bigger the sensor, the better the image quality.
However, a larger image sensor also means higher cost, so SLR manufacturers had to compromise. Ideally, a digital SLR sensor would be exactly the same size as a frame of 35mm film. However, the cost of producing a sensor like this is so high that most manufacturers decided to create a smaller sized sensor, one that is a fair amount smaller than a full sized sensor. This creates the so called “crop factor”
This crop factor is usually a number around 1.5. Basically, this means that if you were to look at a full 35mm frame, the crop sensor would only capture a 1.5x crop of the frame. In essence, you get an closer view with an equivalent focal length. This means that your wide angle lenses will be less wide, and that your telephoto lenses will have more reach. Also, be sure to note that depth of field for a given focal length will remain the same.
For many photographers, these crop sensors work great. If you’re into sports, wildlife, or any telephoto heavy photography discipline, the extra “reach” you get from the crop sensor really comes in handy at times. You can also get extremely affordable crop frame bodies, such as Nikon’s D40. These cameras are a real boon to amateur photographers.
However, full frame sensors still hold a serious advantage in many real world situations. As I said before, bigger equals better when it comes to image quality. Full frame sensors can deliver a much sharper, smooth image at higher ISOs than a cropped sensor can. This is great for those working in low light conditions. Full frame bodies offer the broadest range of wide angle lens options for those photographers who utilize them often. New cameras such as the Canon 5D Mark II make it easier to afford these cameras, as well.
Overall, choosing your sensor format shouldn’t be the only factor that you take into account when choosing a new camera, but it should be a major one. If you can swing the price, the amazing image quality and low light performance of a full frame sensor will astound you. Otherwise, you might be better off saving your money and getting a cropped sensor camera. Either way, you can still take great pictures.
Finding A Digital Camera: Tricks of the Trade
HOW TO FIND THE BEST DIGITAL CAMERA
It seems that every month, if not every week, different manufacturers are coming up with the latest digital cameras to entice potential clients. And it’s just not working for us!
After spending sizeable amount of time at the mall figuring out which is the best digital camera for us, we finally have enough money to buy for that eye-popping, 7 mega pixel, 10x digital zoom, potable, candy colored, up to 512MB expandable memory of super hi-speed SD memory card and not to mention very portable, (that will be the envy of almost everyone we know). We march to the mall armed with our life savings and lotsa pride in ourselves, when we pass by a new display - an eight mega pixel, up to 1G expandable memory, with built it mic and stereo surround, video playback capable, with 22 scenic modes kind-of-camera. And we sigh because the producer of this amazing gadget claims that this is the best digital camera yet out in the market. Since we’d like to get the best, we attempt to buy such a camera.” But then again, that doesn’t last too long, after two months or so, there’s another “best digital camera.”
And so it confuses us. What makes a digital camera, the best digital camera?
When looking for the best digital camera, there are certain features we can choose from to help us make a good choice
MEGAPIXELS. One of the most important features of digital camera to make it into the best digital camera category is its mega pixel property. The higher the mega pixels the better the actual photograph will come out. A mega pixel is equivalent to one million pixels. The resolution of your image is based upon the mega pixel property of your camera. This means that as you enlarge the picture, you would get more detail and less blurry colors.
LCD SIZE. The best digital camera will always have a large LCD to help you frame your subject without having to squint to the viewfinder. Some cameras have touch up and image editing features accessible from the LCD. A 1.5-inch display is average, a 2-inch LCD display is good, but the best LCD size would be 2.5 inches or higher.
ZOOM. Most digital cameras have both digital and optical zoom. A higher optical zoom is always better than a higher digital zoom. Digital cameras are usually furnished with optical of between 3x to 10x. The better the optical zoom, the higher it climbs up to the best digital camera category.
MEMORY CARD. Be sure that you get the right type of memory card for your camera. There are different types of memory card like the xD, SD, Flash card and the likes. Each digital camera has its own type of memory card. of course memory storage is also up there in choosing the best digital cameras. Choose the size of memory that you need, if you’re a photo junkie, you might need more than 32MB. Memory cards come in a wide variety of sizes.
The key point to find the best digital camera is to find one that will best fit you and your lifestyle. Don’t just buy the latest or the one that claims they are the best digital cameras out in the market. You wouldn’t want to buy a cheap digital SLR and use it with your home activities or family outing and have to lug it around?! Or you don’t want to buy the latest point and shoot camera when you’re serious about being a professional photographer. (note that if you’re no longer a novice, you won’t want this sort of camera.)
Any camera that you actually use is the best one. Not the type that you’ll just leave rotting in its box or after a few weeks of usage or so, up there in the attic.
